One thing all pop music subgenres have in common, with the possible exception of progressive rock, is that the songs are short. Most of the time you need to offer your audience a complete work of artistic expression that lasts four minutes or less. In the creative arts, that’s not very long. Back in the […]
Every once in a while I write a blog post that refers to the importance of repetition in music, and how song melodies without repetition are problematic because they’re hard to remember. We already know the power and need for repetition in music when it comes to basic elements like the backing rhythms. Most songs […]
Most songs aren’t specifically “story songs”; they don’t use lyrics that say “first this happened, and then that happened.” It’s usually the case that listeners will infer the story by the various lines within the lyric. It sounds complicated, but most song lyrics work this way. When we hear the lines of a lyric, our […]
Like anyone who writes music, I could probably write a book regarding advice I’ve been given over the years — advice that’s helped shape the musician I’ve become. The best lessons I’ve learned have come from individuals, not necessarily from the pages of a book. That’s not because books aren’t good; it’s more because I […]
A number of years ago I taught aural skills (ear training) at Dalhousie University. As part of that course, students had to listen to melodies as I played them at the piano, and then they would write down in musical notation what they heard. As you can imagine, some students found this relatively easy while […]
When a songwriter is asked the question, “How do you start a song?”, they usually mean, “Which element of a song (lyrics, melody, chords, etc.) do you work on as your first step?” That element then becomes the identifier for a particular songwriting process: a “lyrics-first process”, a “melody-first process”, and so on. No matter […]
