Most of the time, inspiration gets far too much credit. At least, inspiration as the term is usually used. We commonly think of inspiration as that thing or event that targets our emotional soul and makes us want to express our emotions by writing music. So we feel most like expressing ourselves when we encounter […]
Here’s something interesting that you may not have noticed about the songs you love: the part you love may only be a few beats long. The rest of the song has the main duty of building up and leading to that great moment. Those first few beats are so enticing, so interesting, and so exciting, we […]
Though everyone has a favourite way of starting songs, I think it’s fair to say that most people will use many different processes, depending on what musical idea pops into their head at the start of a session. Some typical ways of starting: Setting up a percussion loop and improvise over it, using the mood […]
When we talk about the form of a song, we’re usually talking about the arrangement of its basic elements such as verse, chorus and bridge. That word form, though, can refer to other things: aspects of the lyric, the design of a melody, or how keys are established and changed as a song progresses. Listeners to […]
Good songs are efficient communication devices. But not particularly of facts and figures: if you want to educate your audience about the history of your town, for example, a song is a poor choice for doing so. Unless your song lyric is 80,000 words long, a book will more efficiently convey facts and figures. But […]
There’s an opinion amongst some songwriters that songs that don’t form themselves quickly, usually within minutes, are duds; that the more you have to work to get a song to sound right, the less likely it is that you’ve got a song worth keeping. It’s a surprisingly common view. Even Jay-Z, in his introductory paragraph to […]
