It’s an observation about lyrics that I’ve become aware of only recently: I tend to think of good lyricists as people who either a) make me think, or b) make me feel. Sometimes both simultaneously, (like you might experience with a song like, say, “Crying Lightning” – Arctic Monkeys (Alex Turner) but often one or the other. […]
Do you find that you’d like a bit of edge in your songwriting, but everything you write sounds too sweet and gooey? You’d like to write a song that sounds like a Springsteen rocker, but the more you work on it, the more it sounds like “Muskrat Love.” So what can you do to take […]
The best songs exhibit a mix of two things: Predictability. Songs need to sound enough like other songs out there that audiences enjoy your music. Uniqueness. Songs need to sound different enough from other songs out there that audiences don’t feel that you’re simply rehashing other writers’ ideas. And that’s a tricky balance to get […]
I write a lot on this blog about song melodies and their so-called climactic high point. That’s a term that refers (usually) to the highest notes of a song. I say usually because sometimes the climactic moment in a song isn’t necessarily it’s highest note. For example, choruses will often sound more climactic — more exciting […]
If you spend any time on YouTube, you can get a pretty clear idea of what songwriters find difficult. It’s there for all to see and hear. It’s the double-edged of social media: it can get your music out there to a large audience right away, but also displays any weaknesses or issues right away. […]
With most good chord progressions, there is a sense that the progression is making one chord (the tonic) sound like a kind of musical target. As each chord happens, you hear that tonic chord approaching, and when it finally happens it sounds musically satisfying. Example: C Dm G Em Am Dm Gsus4 G7 C (I […]
