When we use the word “clever” in songwriting, we’re usually talking about lyrics. In that context, a clever lyric means any one of the following: There’s a double meaning going on that might not be immediately obvious. (i.e., the song isn’t about what it appears to be about) There are common words being used in […]
It’s a common characteristic of many songs in the pop genres: a minor-sounding verse that moves to a major-sounding chorus. You might think that means you need to create two completely different progressions. But let’s say that you’ve worked out a good chorus hook, and now you’re trying to create a verse that partners well […]
I’ve written a few articles on this blog about the notion of drawing a line that represents your melody (like this article I wrote a few years ago). It’s not just that it’s kind of neat to see your melody sketched out as a line; there is a real purpose and benefit from seeing your […]
When you start your songs the same way, you make it very likely that there will be an unpleasant sameness about them. Your aim as a songwriter should be to feel at ease with as many different processes as possible for starting songs. Comfort with many different processes makes it more likely that your songs […]
A bridge (or middle-8) is the section that usually follows the second chorus of a song. Back in the earlier days of rock & roll, that bridge was likely to be strictly an 8-bar section, but these days the definition has allowed for a lot more creativity. In general, though, you can expect a bridge […]
Intros are meant to identify a song, and, more importantly, entice people to keep listening. They do this usually by setting up the mood, the key and tempo (though not necessarily, as you’ll see below). A good intro acts an identifying banner or flag for the rest of the song. If you find yourself always […]
