Great songwriting, from a listener’s point of view, flies under the radar, by which I mean that the best songs are great without making it obvious why they’re great. A song might have a gorgeous melody, but the average listener won’t know exactly why it’s so beautiful. It might have a really captivating sequence of chords, […]
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There’s no particular songwriting principle that says that there needs to be a noticeable connection between the various chord progressions within a song. If you’ve got a song that uses a verse-chorus design, you can use a completely different progression in each section, progressions that have absolutely no obvious similarity. Having said that, there is a benefit […]
In songwriting, the term contrast refers to providing opposite-sounding characteristics to any one song component: melodies that move higher, then lower; chords that are mainly minor, then major; instrumentation that’s at one point soft, then loud, and so on. It’s not important that every element within a song show a degree of contrast. For example, you can […]
One of the biggest challenges for songwriters is to write something that’s unique and innovative, but not so unique that it turns your target audience away. At the same time, if it’s not unique enough — if it’s too predictable — you’ll also turn audiences away because they’re bored: they can hear what’s coming before you […]
Beyoncé’s latest hit single, “Break My Soul” (written by Beyoncé, Tricky Stewart, The-Dream, et al) is currently at the top of the Billboard Hot 100. Every hit song balances standard fundamentals of songwriting with something unique and innovative. So let’s take a look at three songwriting innovations that set “Break My Soul” apart and make […]
