At first glance you might think of a song’s refrain as simply being a shorter version of a chorus. But they’re actually quite different. Choruses are usually complete structures that can be repeated over and over easily, as we notice with final chorus repeats of most pop songs. But a refrain isn’t a complete structure; […]
One bad line of lyric can make an entire verse or chorus sound lame. So what do you do when you’ve got a verse that you really like, except that there’s that one line that just seems to be elusive: you just can’t come up with anything. It might be that the line in question […]
For most songwriters, the way their craft gets practiced is to do more writing. There’s nothing wrong with that, but sometimes doing exercises that target specific songwriting skills is the best way to take what you do to the next level. A number of years ago I came up with five “games” that target specific areas […]
Most of the time, if there is a difference in key between a verse and chorus, it’s the kind of thing where a verse will be in minor, switching to the relative major for the chorus. Then you get songs like “Little Lion Man” by Mumford & Sons, which switches quite freely back and forth […]
When you look at a typical verse melody, it’s probably most common that you’ll notice that the typical direction is upward, particularly if you compare the first few notes to the final few before the chorus hits. It’s time well spent to look deeper, though, at how good verse melodies move, because where the voice […]
I had been asked to write a guest blog post for the good people at Songwriting.net (“The World’s Leading International Songwriting Competition”). They proposed several possible topics, and I settled on writing something about lyrics. My post, “How Words Change as a Song Progresses,” can be found on their site right now, and I hope […]
