Most songwriters have their own kind of writing schedule that works for them. Some work best when they have a project in mind — an album, let’s say, or perhaps a show — and so they work hard, day after day, being guided by the project. And then between projects, their writing slows down, and […]
It sometimes amazes me how different a verse and chorus can be from each other. The classic example of this is probably Paul Simon’s “My Little Town“, which features a long meandering verse with a complex chord progression, syncopations and changing time signatures. The chorus changes character almost completely, offering a very short, catchy hook […]
As a songwriter, you do something that many people find difficult: you create new musical ideas and pull them all together into a final product called a song. You may be the kind of writer that finds it easy to do, so perhaps you’re writing a new song or two every week. But you might […]
If your song is in a major key, you know that the ii-chord is going to be minor. So if your song is in the key of C major, the chord based on the note D will be Dm (D-F-A). And you’ll be using progressions that might be like the following: C F Dm G […]
You’ll hear experienced songwriters and producers say that the chorus of a song should arrive before the 1-minute mark. This is particularly true of songs with moderate to quicker tempos. Slower ballads can tolerate longer verses, and so it might take a bit longer. That guideline is in place because producers like to ensure that […]
If hooks seem elusive when you’re trying to write a song, give this ebook a read: “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base.” Get it separately, or as part of “The Essential Secrets of Songwriting 10-eBook Bundle.” On CBC Radio 1 last week, host Tom Power interviewed […]
