We associate the concept of the hook with pop music, though many genres, even classical music, have them. And when we say hook, we usually mean the chorus hook — that bit of the chorus (or sometimes the entire chorus) that listeners can’t get enough of, and hum it (hopefully) all day long. There are other kinds of […]
If you like the chords-first songwriting method, you’ll want to read “Writing a Song From a Chord Progression.” It deals with the common chords-first problem of how to write a great melody straight from the chords. It’s part of “The Essential Secrets of Songwriting” 10-eBook Bundle. It’s a very different world to practice the art […]
A few days ago I wrote a post in which I talked about the chords-first method of songwriting (“Giving Your Melodies Some Shape in the Chords-First Songwriting Process“), and warning of the main pitfall of this process: the ignored and uninteresting melody that might result. As in all things in songwriting, you can find exceptions […]
There’s an inherent danger in writing songs by starting with the chords, which is that the melody can get a bit static and uninteresting. You may have come up with a chord progression you really like, but when you try to add a melody to that, you often find yourself stuck on one or two […]
As a writer of songs, you’ll probably notice that you’ve got two important qualities: Your ability to come up with good musical ideas; Your ability to work for longish periods of time to get the song finished. Good songwriters usually have both of those working for them when things are going well. But from time […]
It’s part of human natural ability to understand music, at least to some degree. People with absolutely no musical training can often tell when they’re hearing mistakes as their young child works on their weekly piano lesson. Humans have this musical ability through DNA, bolstered by whatever experiences they might have as a casual listener […]
