Most of my writing these days is for vocal/choral groups. Sometimes that means writing for piano as an accompanying instrument, and sometimes I’m writing for full orchestra. Some of them are original compositions, and some are arrangements of already-existing songs (public domain folk songs, for example). But in any case, I practically always start by […]
Here’s an interesting and easy way to create chord progressions that move back and forth from minor key to major. Progressions that shift major/minor focus in this way help to create fluctuating moods that work especially well in song verses and bridge sections. To do this, you need to know that every minor key has […]
When we talk about the form of a song, we’re usually talking about the arrangement of its basic elements such as verse, chorus and bridge. That word form, though, can refer to other things: aspects of the lyric, the design of a melody, or how keys are established and changed as a song progresses. Listeners to […]
Practically every songwriter confronts this nagging problem at some point, and sometimes very often: You start writing, and right away you notice that it’s similar to some other song you’ve heard before. There’s nothing like noticing that your new song sounds like an already-existing one to kill your songwriting process in its tracks. So then […]
I’ve only very recently discovered the music of Johanna Warren, a singer-songwriter from Portland Oregon. The stunning beauty of her music is addictive; it seems impossible to stop listening once you get started. First, check out her Bandcamp site where you can stream her albums. You won’t be disappointed. The aspect of her songwriting that […]
Chord progressions, at least the kind you find in the pop genres, aren’t usually overly complex. Even when they are a bit more creative than mainstream, they don’t tend to leave the tonic chord too far in the distance. The kind of progressions you find in a chorus are usually more simplistic in structure than […]
