If you look at your most recent song’s verse and compare it to the chorus, you’ll usually notice: There is likely a similarity in the kinds of chords you’ve used in both sections. The lyrics are probably different, with verse lyrics setting up a scenario, and chorus lyrics expressing the emotions created by the verse. […]
Most songs have a “climactic moment”, usually in the chorus, but sometimes in other places, like a song’s bridge. In most cases, you can identify a climactic moment by finding the highest note. This has been a noticeable trait in music for centuries. You can go back to Handel’s oratorio “Messiah”, for example, and see […]
I was looking recently at a list of some of the world’s most covered songs, and saw a few surprises on it. Some of them were what we’ve come to expect on such lists: Paul McCartney’s “Yesterday”, Leonard Cohen’s “Hallelujah”, and Johnny Cash’s “I Walk the Line.” But I confess I didn’t know that Ray […]
Maybe I’m just not paying enough attention to today’s new music, but it seems to me that in the 70s and 80s, mainstream pop groups did a better job of using interesting chord progressions that added a lot to the overall effect of their music. As you likely know, I encourage especially newer songwriters to […]
I’ve always held the belief that an understanding of music theory can and will improve your songwriting. But it’s also right to acknowledge that not everything you could learn about music theory will be particularly relevant to your activities as a working songwriter in the pop genres. If you study basic musical rudiments at a typical […]
If you’re ready to take your songwriting to its highest level possible, you need “The Essential Secrets of Songwriting 10-eBook Bundle.” Get the manuals that thousands of songwriters are using. When we talk about a melody’s shape we’re talking about how it moves up and down. That concept of shape becomes more obvious if you […]
