Let’s say that you’ve been working out a new chord progression, and you’ve found something — a combination of 3 or 4 chords — that really seems to work. The trouble is: you can’t figure out what key that progression is in. How do you identify it? The first question you might ask is this […]
I’ve aterritten a fair bit lately about making a verse more effective, either by creating an interesting key change, or by paying closer attention to how the verse connects to the chorus. In this post, I want to look more closely at the chorus itself, and address an issue when the chorus itself just doesn’t […]
There are a few important spots during a song, moments that serve as connectors between one section and the next. What happens during those connecting moments will either enticingly pull the listener along and make them want to keep listening, or that moment will fail to do its job, and we feel a temporary “lull” in […]
Most of the time, a song will start and end in the same key without ever changing. But once in a while, it can be interesting for the audience if they hear the music move off to some new key, even if that key change is just temporary. In music theory terms, it’s called “modulation.” […]
In order to help students fully understand a topic, teachers will identify a list of principles that strive to explain as much as possible with as few words as possible. We teachers of music do that very thing: we study as large a collection of music as possible, and then come up with a few statements […]
If songwriting is the kind of activity for you where there’s no particular pressure to get something written, there’s nothing like the freedom of starting and stopping as the whim hits you. The biggest problem with writing when you want to is keeping disciplined. There can be days (weeks? months?) when it’s hard to get something […]
