Many songwriters love starting the writing process by generating ideas from a chord progression. That’s a legitimate way to write, and it’s very popular. By starting with chords, you lay down what is in effect a landscape upon which you can place other items. I’ve been working on a new short manual for songwriters who […]
This month (February 2016) is Country Month at Toontrack, online maker of sample-based software and other songwriting tools. I’m honoured to have been asked to write an article for their Country Month launch, and they’ve posted Part 1 over on their site. Here’s a short excerpt: Has Technology Changed the Nature of Music? PART 1 Only […]
It’s easy to see songwriting as a kind of problem-solving activity. The problem? Well, coming up with a finished song of course. And every decision you make – in a sense, every problem you solve – moves you closer to the end product: a completed song. But this kind of activity differs from most other problem-solving activities in the sense […]
You can define a multi-part verse melody in many ways, but the kind of melody I’m talking about is the kind you might find in a song like Eagles’ “Take It Easy” (Jackson Browne/Glenn Frey), which is a verse-only song where the verse consists of several short phrases joined together to make one complete melody. I’ve been thinking […]
If you have a friend who’s going through tough times, you might say to them, “Everything’s going to be all right.” You hope your words will show your care and concern that friend. But sing those words to them, and you’ve got a much better chance of getting through. That’s the nature of music, and everyone seems […]
When we talk about a song’s key, we’re usually talking about the key of the chorus. That’s because it’s not that unusual for various parts of songs to have different key centres. The chorus, the part that gets the most attention, is the section we usually think of when assigning an overall key to a song. […]
