A bit of songwriter’s theory for today, and it’s an important lesson especially if you’ve created a melody and are at the stage where you’re adding chords. If you listen to Leonard Bernstein’s “America”, from “West Side Story“, you’ll notice that practically all the notes from the melody clearly outline the chord that accompanies it: Melodies […]
Not all songs are about the melody. Since every good song is a partnership of melody, lyrics and chords (and then miscellaneous other bits that get woven in and around those elements), you can wind up with a song that makes a stronger impact through its hook, lyric or rhythmic groove, and leave melody as a less […]
It’s amazing how imaginative you can be using mainly pentatonic scales to create melodies. You might think that limiting yourself to 5 notes per octave means you’ve cut out a lot of possibilities, but that certainly doesn’t have to be the case. If you haven’t done so yet, you might want to give Deerhunter’s new album, […]
When you feel that your chord progression is lacking a bit of excitement, you’re temptation might be to toss it out and go looking for “the killer chord progression.” But that shouldn’t be your first choice, for a number of reasons. First of all, no chord progression is “killer” unless it’s partnering well with all […]
A time signature is not something that gets a lot of attention when we think of pop songs, and truth be told, it’s possible to write great music without giving it much thought. Most songs are either in 4/4 time or some other arrangement of strong-beat/weak-beat meter. As you begin the songwriting process, you’ll likely start strumming […]
Many of you know that one of the enjoyable things I get to do now and then is to take a symphony orchestra – specifically, Symphony Nova Scotia (SNS) – into schools, and play some exciting orchestral music for young people. In the main, our audiences are between ages 5 and 12, though occasionally we present our performances […]
