If you want success in writing music, you need to be able to listen to your own music objectively, and to be able to judge it objectively. I’ve written a lot on this blog about how to do that (here’s one article, for example: How Objective Listening Improves Your Songwriting). To listen objectively ends up being this: […]
Good songs are almost always about contrasts. If you look closely at chord progressions, you’ll notice major and minor chords: opposites working together. With instrumentation, you’ll often see sparse, transparent sections (often the verse) contrasting with fuller, busier parts (the chorus). Contrast is an important part of what keeps listeners coming back to your song. […]
Songwriting is a kind of self-improvement exercise. With each song you write, you should feel that you’ve added something positive to your definition of yourself. I think it’s fair to say that one of the things that keeps you interested in songwriting is noticing that you’re getting better. Each song you write is an accomplishment […]
One of the best ways to get inspired to write your next song is to turn your attention from writing music to playing it. As a player, you create sounds under your fingers, some of which come from other people’s songs, and some which you create spontaneously as a product of your musical imagination. Those ideas can then […]
Songwriting formulas are usually spoken of in a negative way. That’s because inherent in the term “formula” is the notion that if you do certain things, you’ll get a predictable result. And if you’re like most songwriters, “predictable” is not what you’re after. There are many kinds of formulas that are used in songwriting. Some […]
A pre-chorus is an optional section that sits between the verse and chorus. There are several reasons why you might choose to use a pre-chorus in a song, the most common reasons being any combination of the following: The verse is quite short. The verse melody is very repetitive. The beginning of the chorus is […]
