Rush

Considering the Note Your Melody Starts On

How much thought do you give to the note you choose to start your song melodies on? It may seem trivial because from that first note you can move in any direction you want, and so it may not feel as though it matters a whole lot, once you’re a few notes in. But I […]

Mark Knopfler - Money For Nothing

The Long Song Intro: Does It Make Your Song Better?

Lyrics become all the more powerful when they’re properly paired with a good melody. That’s what Chapter 5 is all about in the eBook “The Essential Secrets of Songwriting.” Polish your songwriting technique with the 10-eBook Bundle. Comes with a Study Guide If you record the songs you write (and I certainly hope you do), […]

guitarist - songwriter

The Use of Chord Inversions in Pop Songwriting

An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]

Pink - Nate Ruess

The Importance of Rhythm in a Good Song Hook

For a lot of people, a song hook is hard to define, but you certainly know it when you hear one. There are many different kinds of hooks (intro hooks, instrumental hooks, lyrical hooks, etc.) but by far the most common kind is the chorus hook. In fact, many songwriters, particularly in the pop genres, […]

Keyboard and Headphones

Songwriting Simplicity is Good; Mindlessness Not So Much

If you ask someone my age (a child of the 1960s, a teen of the 1970s) what they think of today’s pop music, you’ll probably get an earful. Most negative opinions of today’s music will come down to the fact that songs today seem uninspiring, noisy and mindless. “The melodies aren’t interesting”; “The chords are […]