It’s common to hear questions posed by those who are relatively new to the world of songwriting that start with the phrase: “Can I…”, or “Is it OK to…” “Can I start and end a song in different keys?” “Can I change tempo in the middle of a song?” “Is it OK to write pop […]
Words and music need to act as partners in a song, but how do you make sure your melody is helping your lyric? That’s what Chapter 5 of “The Essential Secrets of Songwriting” deals with. Get it as part of the 10-eBook Bundle, or purchase it separately. Being a songwriter takes a lot of courage. […]
It would be silly for me to try to say that the topic you choose for your song isn’t all that important. Of course it is. But audiences don’t connect easily with topics. And by “connect,” I mean feel something. Some topics come loaded with emotion, mind you, even by the mere mention of it: the […]
It’s hard to think about song melodies without also thinking about the chords that we put underneath them. They go hand in hand. Historically (as in hundreds of years ago) music was all about the melody. Eventually (in the early 1600s) it was melody and bass line, with chords starting to fill in the middle. […]
If you ever listen to an old 1950s-era recording of jazz pianist Oscar Peterson, you’re probably hearing him with his trio which included Herb Ellis on guitar and Ray Brown on bass. No drummer at that time, but the three of them played with such a powerful sense of beat and rhythm that you don’t […]
We tend to over-simplify what we mean by contrast in a good song, and thereby misunderstand its power. Contrast, in musical terms, means considering musical opposites: loud versus soft, high versus low, and so on. When we over-simplify contrast, we simply think that the contrast principle requires us to mix loud and soft sounds, high and […]
