It might alarm you, as you work on your next song, to discover that your mind is wandering and you feel — quite frankly — bored. Surely, if you’re bored as you work out your next tune, your audience is going to be bored as well. Actually, boredom and being generally distracted while writing songs, […]
I’ve always been interested in the tempo of music, and what effect that has on how we “hear” a song. We can measure tempo precisely, usually in bpm (beats per minute), but performers will often slightly alter tempo from one live performance to the next, which might indicate that the need for tempo precision is […]
On the face of it, it can seem a bit odd that hit songs from a previous generation can serve as good models for how we could or should be writing new songs. You’d think that if you do that, you’d wind up writing something that sounds dated or passé. But that doesn’t usually seem […]
If you really want to see contrast at work in music, you should listen to a Classical symphony. Each piece typically consists of four movements, and each movement will be in a different key, and usually a different tempo. Also, each movement, even if they borrow ideas from previous movements (as 19th-century composers sometimes did), […]
School’s back in for most students in North America, and some have been back for a couple of weeks now. For many, schooling looks very different: masks, social distancing, and all the other health protocols that have become standard in most areas of the U.S. and Canada. Some schools have switched to an online format, […]
If you’re not a writer or performer of music, then it’s logical to say that music is something that you only ever listen to or dance to. That usually means that when you listen to songs, you make a quick (usually subconscious) judgment about whether or not you like the song. If you like it, […]
