It’s hard to define what a rock anthem is. It’s the sort of song form that you recognize when you hear it, though. The most important quality of an anthem is probably universality: the notion that everyone could join in and sing the chorus together, and feel a sense of camaraderie and celebration for doing […]
If you’ve written a song that seemed to start with great promise, but now that it’s finished it sounds downright boring, it may be hard to put your finger on exactly what the problem is. But solving the problem is crucial, because it’s possible that you’re doing something wrong that’s been affecting all the songs […]
Mood is one of the first things that’s conveyed by music. Listeners pick up the mood via the partnership of all the various song components, but mostly through: key choice (major versus minor); tempo; melodic shape; instrumental choices and effects; lyrics. I purposely placed lyrics at the bottom of that list, even though the lyrics […]
Predictability is not the horrible monster of songwriting. Even songs that sound unique, complex or startling are often following a template established by someone else’s song, with just a touch of innovation thrown in; it doesn’t take much innovation to make a song sound unique. If you like starting songs by working with a chord […]
If you’ve gotten partway through your next song, but you can’t seem to finish it, one of the best techniques for breaking the logjam is to take one aspect of your song and drastically change it. It can sound ridiculous at the time, but it can work. For example, if you’ve been working on something […]
When we think of the term musical energy, we might immediately think of loudness and tempo. But as a songwriter, you need to develop a slightly more sophisticated understanding of how musical energy works, and what it can do to make people want to listen to — and come back to — your songs. If you’re […]
