A few posts back, I mentioned that in the creative arts (songwriting and other forms of composition, for example), good editing is more often about what you remove than what you add or change. In other words, the best fixes to bad music frequently happens when you remove stuff, not add stuff. If I’ve written something that’s 5 […]
On November 3, both the CNN and BBC, as well as many other news outlets, reported new research, published in “Psychology of Aesthetics, Creativity and the Arts“, into the issue of earworms: what makes an earworm, and why some songs are more likely than others to possess the characteristics of an earworm. CNN refers to […]
How do you know that the chords you’re experimenting with are going to be the best choice for the song you’re working on? We know that certain chords — it’s probably more accurate to say certain chord combinations — create specific moods and support certain attitudes in a listener. So getting the right chord combinations is […]
The closer you are to finishing a song, the less likely you are to experiment with radical changes. At the start of your process, you might change chords, try different lyrics, and even change the melody. But as your song nears completion, the changes you might try are usually small ones. The song feels “set”, […]
One of the interesting qualities of music is its ability to affect our mood, perhaps even to generate certain moods. Politicians certainly know this; musical choice is an important consideration at rallies and speeches. There are some aspects of music that immediately come to mind when we think about controlling the mood a song portrays. […]
Yesterday I wrote about how to take old melodies and make new ones. The end result should be a song that bears no resemblance whatsoever to the original tune, and that’s the intent. That method should allow your own creativity to make something entirely new out of something old. Having said that, unintentional plagiarism is […]
