A good lyric tells a story, whether that’s an actual “first this happened, then that happened” kind of lyric (like the stereotypical “A Boy Named Sue” – Johnny Cash), or whether the story happens indirectly, and we piece the details together, like Pink’s “Funhouse” (Pink, Tony Kanal, Jimmy Harry). A lyric where the story is […]
You’re sitting in your room with a blank piece of paper and a guitar. How do you get the songwriting process started? Where do your ideas come from? And how do you maintain a fresh supply of ideas so that songwriting can be a daily activity? I think if you’re using the same process every […]
For many songs in the pop genres, creating the title is a bit of a no-brainer. You simply take the bit of lyric that comes along with the chorus hook or refrain, the bit that repeats probably more than any other bits, and there’s your title: “Happy” (Pharrell Williams) “Just Give Me a Reason” (Pink, […]
In considering the many ways that songwriters start the songwriting process, working from a title is, in my opinion, one of the best. The reason comes down to one word: focus. To tell you more about what I mean, consider one of the other common ways to get the process started: working from a chord progression. […]
It’s helpful to learn how some of the world’s biggest hit songwriters do what they do to create those songs. Barry, Robin and Maurice Gibb (The Bee Gees) wrote some of the world’s biggest pop song hits, for themselves and for others, from the late 60s into the 21st century. Do you know how to […]
I’ve aterritten a fair bit lately about making a verse more effective, either by creating an interesting key change, or by paying closer attention to how the verse connects to the chorus. In this post, I want to look more closely at the chorus itself, and address an issue when the chorus itself just doesn’t […]
