You may think that a good chord progression is the end result of a random process, but it rarely is. If you spend your time playing one random chord after another, you’ll be looking for a long time before you find something that works. I don’t know about you, but I certainly don’t have the […]
Changing key within a song is one way of keeping things interesting. One of the most popular ways to do this is to create a song verse that’s in a minor key, and then switching key (called modulating) to the relative major for the chorus. Lots of songs do this, and you can take Eagles’ […]
A chords-first songwriting process has a few challenges that need to be dealt with. One of the main problems is that there is a tendency to focus more on the chords than on the melody. That can lead to songs that don’t have enough of a tune to be memorable. “Hooks and Riffs: How They […]
Good songs don’t follow rules; it’s more a case of following guidelines. That means that every time you think you’ve identified a songwriting “rule”, you can come up with a list of songs that don’t follow it. Here’s a good example: if you look at a hundred different songs and try to identify the characteristics […]
In my own composing of music, I would far rather work out a melody first, and then add the chords as a second step. That’s because melodies are what people hum to themselves; it’s hard to hum a chord progression. Many songwriters, however, work out the chord progression and backing rhythms first. There is one […]
Songwriters can be forgiven for looking for new and exciting chord progressions. There’s a fear that if you use a progression that’s been used before, it will sound either boring or overused, and lacking in originality. The truth is that as long as the chords are properly supporting the notes of the melody, even mundane […]
