Get the eBook bundle that thousands of songwriters are using to polish their songwriting technique. Comes with a free copy of “Creative Chord Progressions” There is a kind of melodic structure called period structure — a two-phrase melody in which the first phrase acts as a kind of “question”, and the second phrase provides an “answer”. A […]
Chord progressions, at least the kind you find in the pop genres, aren’t usually overly complex. Even when they are a bit more creative than mainstream, they don’t tend to leave the tonic chord too far in the distance. The kind of progressions you find in a chorus are usually more simplistic in structure than […]
Take a look at the chords in pop music today, and you don’t see the diminished chord being used much. It’s an extremely versatile chord, but it’s possible that songwriters might be a bit confused as to how to use it. And by “use it”, I think many just don’t know how to approach the […]
The typical 3-chord song has been the workhorse of early rock and roll. Go back to the 50s, and it’s the mainstay of most songs. By 3-chord songs, we’re talking usually about this progression: I IV V7 I (C F G7 C) And then, of course, the writer might throw something else in, particularly in […]
You’ll notice that when you’ve got a melody, the notes of that melody imply the chords you’re likely to use. That’s not to say that you’ve got no choice in the matter, of course. For every chord you might use, there is a list of chords that could serve as substitutes. Just as an example, […]
A modal scale, for the purposes of what you’ll need to know for good songwriting, is one that starts and finishes on the non-tonic note of a major scale. That may seem like a mouthful, but here’s all it means: If you play a C major scale, you’re playing the notes C-D-E-F-G-A-B-C. But let’s say […]
