There are many ways to categorize chord progressions, but the best way system for songwriters is to classify them as being either fragile or strong. These two words, fragile and strong, pertain to the key of your song, and specifically refer to whether a progression makes the key very obvious or somewhat ambiguous. Getting melodies […]
Inverted chords, often called “slash chords” because of the way they’re notated (C/G: “C slash G”) can add a very useful sense of creativity to an otherwise ordinary chord progression. In fact, if you’re looking to make your progressions sound a bit more inventive, exploring ways to use inversions should be your first step. Here’s […]
Changing the key of a song is not all that common. Most of the time a song will end in the same key that it started in. When a song does change key it’s often the case where the verse is in a minor key, and then switches to the relative major key for the […]
Getting melodies and chords working well together is vital knowledge for any songwriter. “How to Harmonize a Melody” shows you, step by step, how that works, and gives you sound samples to follow. There’s nothing keeping you from using someone else’s chords in your own song, since chord progressions aren’t protected by copyright. Having said […]
A song melody is made up of notes that either move by step (i.e. adjacent notes: C-D-E-D-E-F…) or by leap (i.e. skipping a note, or several notes, to get the next note: C-A). It’s probably correct to say that most song melodies use stepwise motion more than leaps. Some songs might use mostly leaps in […]
One thing all pop music subgenres have in common, with the possible exception of progressive rock, is that the songs are short. Most of the time you need to offer your audience a complete work of artistic expression that lasts four minutes or less. In the creative arts, that’s not very long. Back in the […]
