Yesterday’s blog was all about using chord inversions — so-called “slash chords” — in your songs. It got me thinking about other aspects of chord use in songs. Here is a quick list of five things every songwriter should know about this very important topic: 1. Chords work very much the same way regardless of […]
You may not think of many of the early Beatles songs as using complex or unusual chord progressions, but for their day, they were noticeably creative. Where so many other early- to mid-era rock and roll songs were barely straying beyond the basic I-IV-V-I kinds of progressions, The Beatles were throwing in modal mixtures, secondary […]
A chords-first songwriting process has a few challenges that need to be dealt with. One of the main problems is that there is a tendency to focus more on the chords than on the melody. That can lead to songs that don’t have enough of a tune to be memorable. “Hooks and Riffs: How They […]
Innovative, unique chord progressions are tricky, because in most pop songs the chords have an important function: provide a simple way — a musical path or road, so to speak — to move away from the tonic chord and then back again. It really is that simple. “The Essential Secrets of Songwriting” eBook bundle includes “Writing a Song […]
When a song sounds great, we like to think that there’s a certain magic involved. But if you are a student of songwriting, as most good songwriters consider themselves to be, you’ll know that it’s not magic that makes a song great. A song sounds great when it follows basic musical principles. And we love […]
There’s a lot you can study about chords — about the way they work, how to choose them, and how one progression relates to another. All of it comes under the large umbrella called chord theory, and it’s a very large umbrella. Some songwriters have a knack for it; it’s not something they have to consciously […]
