Forward motion, or momentum, is an important characteristic of songs. Simply put, momentum makes one moment of a song lead naturally — sometimes almost impatiently — to the next moment. If you hear a verse that seems to “beg for” the chorus, that’s an important characteristic of momentum. Audiences aren’t usually thinking in terms of […]
There are lots of ways to categorize chord progressions, but the one way that will be most useful for pop songwriters is to think of them as being either fragile or strong. A fragile progression is one where the key is not necessarily clear and obvious. These can be very beautiful progressions, and are the kind that […]
Get the eBook bundle that thousands of songwriters are using to improve their songwriting technique. “The Essential Secrets of Songwriting 10-eBook Bundle” comes with a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” One common complaint I hear from songwriters is that when trying to come up with a unique or creative […]
You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]
When you listen to a song just for entertainment, you’re not usually aware that parts of the song are musically ambiguous in some way, while other parts are clear and strong. Let’s say, for example, that you start your song by writing a verse that uses this short progression: C-Bb-C-Bb-C-Bb… There’s a kind of ambiguity associated […]
The tonic note is the one that represents the key of your song, and it has the main quality of feeling like “home”. When a tonic note happens, it sounds as if a musical phrase has, even just temporarily, ended, and the next one can begin. That’s a good reason why the tonic note happens […]
