In a recent blog post (“Moving from Minor to Major in a Pleasantly Abrupt Way: Valdy’s ‘Simple Life’“) I mentioned the common occurrence in songwriting of writing a minor verse that then moves to a major chorus. Juxtaposing minor and major is a really good way of creating that all-important aspect of contrast in songs. […]
It’s not unusual for songs to start in a minor key and then change key (“modulate”) to a major key. When you think of how songwriting has changed over the decades, that one aspect — the minor-to-major key change — has remained relatively common. The change from minor to major has a brightening affect, as […]
There is a necessary simplicity in good pop songwriting. And that simplicity might make you think that transitioning from progressive rock to pop is something you’d do if you’re just tired of creating more complex music. But that’s the wrong way to look at it. Pop music can offer — should offer — every opportunity […]
“The Essential Secrets of Songwriting” eBook bundle includes “Writing a Song From a Chord Progression”. Discover the secrets to writing songs that start with getting a chord progression working. The mood that an audience picks up from a song, at least initially, comes mainly from the chord choices the songwriter makes. And the biggest influencer in that […]
Contrast is a big part of what makes great songs great. Even if that contrast is something as simple as loud versus soft (instrumentation) or low versus high (melodies), contrast is crucial to keeping audiences interested. Within chord progressions, contrast usually happens when differentiating between major and minor. Songs might feature a minor verse, and […]
If you like the sound of a minor verse moving to a major chorus, you’re in good company. Many songs move from minor to major. That natural “brightening” of the sound just seems to work really well. To hear this in action, you might listen to Carole King’s “You’ve Got a Friend,” Justin Timberlake’s “Mirrors”, or […]
