If one of your songwriting struggles is to get the verse and chorus melodies to sound like good musical partners, you may be surprised to find that the answer may not be to make them similar. Sometimes good verse-chorus partnerships happen when those two melodies have very different structural qualities. When it comes to making […]
Is putting chords and melodies together one of your biggest challenges as a songwriter? Every song is unique, and uniqueness can sometimes make it hard to understand how chords can and should be supporting the form of your songs, and the melody notes above them. If you like starting songs by working out chord progressions, […]
Recently I wrote about the musical power that comes from starting progressions on a chord other than the tonic chord. By avoiding the tonic, the listener subconsciously wants to hear it, and so it creates a very powerful sense of musical energy: the listener is willing to wait to hear the tonic eventually happen. Songwriters […]
Here’s something interesting: the melody that Paul McCartney uses as his verse melody for “You Never Give Me Your Money” (“Abbey Road” album) serves, for all intents and purposes, as a bridge melody for “Carry That Weight.” True, the fact is that its appearance as a bridge melody is overshadowed by the fact that its main […]
Lately I’ve been thinking and writing a lot about musical momentum… that quality that keeps people listening to a song. Without it, songs would just be one nice sound following another nice sound, and though it may seem strange to say, that’s not enough to keep people listening. There’s a sense of expectation that keeps people […]
In songwriting, momentum is that quality of music that causes us to want to keep listening to a song. Another term for momentum is musical energy, or forward motion. When created and used properly, momentum is a pleasant kind of “tension” in the music, where we sense that something needs to be resolved. If you’re stuck trying […]
