In the world of music composition, songs in the popular genres (pop, rock, country, folk, and most of their subgenres) tend to be short, at around 4 minutes or so as a norm. Yes, some subgenres such as progressive rock will feature songs that are much longer, but brevity is a feature of most pop […]
I’d be in favour of a name other than bridge to describe the optional song section that occurs after the second chorus. Maybe “section 3.” A bridge implies that its main job is to transition from one thing to another newer thing, and to make that a smooth connection. But a song’s bridge most often takes the […]
You’re sitting in your room with a blank piece of paper and a guitar. How do you get the songwriting process started? Where do your ideas come from? And how do you maintain a fresh supply of ideas so that songwriting can be a daily activity? I think if you’re using the same process every […]
For most songs, the verse and chorus melodies are different. That’s the most common circumstance. But there are times, you will notice, when you’ve written a verse and a chorus that sound fine on their own, but don’t seem to work together. On the face of it, it seems that there doesn’t need to be […]
When you look at a song’s lyric as displayed on a website or written down on paper, you’re not often aware that the nature of the lyric changes as the song progresses. But it does, and it’s important to get this right if you’re the lyricist. When we talk about a song’s form, at least in […]
Here’s something interesting that you may not have noticed about the songs you love: the part you love may only be a few beats long. The rest of the song has the main duty of building up and leading to that great moment. Those first few beats are so enticing, so interesting, and so exciting, we […]
