As an unofficial “student of songwriting,” you’re curious. You’re not content to just enjoy music — you want to know why some songs sound great, and then you want to apply what you learn to make your own songs sound great. Simply stated, if you aren’t curious, you aren’t a songwriter. If you’re ready to […]
Predictability is not the horrible monster of songwriting. Even songs that sound unique, complex or startling are often following a template established by someone else’s song, with just a touch of innovation thrown in; it doesn’t take much innovation to make a song sound unique. If you like starting songs by working with a chord […]
If you write your own lyrics, I hope you know the value of creating word lists. One benefit is obvious: once you have a general topic, lists of pertinent words will give you the basic vocabulary from which you can pull together a lyric. But there is another benefit that you may not be thinking […]
Recently I wrote about the musical power that comes from starting progressions on a chord other than the tonic chord. By avoiding the tonic, the listener subconsciously wants to hear it, and so it creates a very powerful sense of musical energy: the listener is willing to wait to hear the tonic eventually happen. Songwriters […]
Every songwriter experiences “feeling stuck”. You get a good idea for a new song, but then you just don’t know where it should go from there. There is an expression — and you hear it a lot in the creative arts — that applies here: paralysis by analysis (or analysis paralysis). If you like starting songs by […]
It seems that the songs that everyone really wants to hear during the Christmas season are the classics — the ones that have been around for the past 7 or 8 decades, or even longer. It begs the question: Can anyone write a new holiday tune that has a hope of taking its place along […]
